Manifesto of Silences reimagines opera from a Deaf perspective, as a space to process trauma communally
The Deaf-led theatrical work explores the tragic consequences of the Milan Conference of 1880, which resulted in the suppression of sign language around the world.
Manifesto of Silences, a ground-breaking Deaf-led theatrical work, has been created by Irene Holub to reframe opera through the perspective of the Deaf community. This innovative production, premiering at Arts House as part of Melbourne Fringe, is performed by six Deaf performers who employ sign languages and physical performance.
The narrative delves into the tragic consequences of the Second International Congress on the Education of the Deaf in Milan, held in 1880. This event, infamously known as the Milan Conference, promoted oralism (teaching profoundly Deaf individuals to communicate through oral language like lip reading and speech) over sign language, intensifying the suppression of Deaf languages globally.
The Manifesto of Silences also reflects on the contrasting values of historical pro-signing and pro-oralist figures such as Edward Gallaudet, Alexander Graham Bell, and Charles Michel de l’Epee. The performance sparks contemplation on the relevance of revisiting historical traumas versus reclaiming narratives. It questions the appeal of stories that emphasize dismantling oppressive systems and beliefs.
In the Arts House foyer, the atmosphere was filled with anticipation as friends and colleagues gathered, communicating freely in Auslan (Australian Sign Language). The Deaf community's use of sign language is portrayed as an ongoing, powerful act of resistance against oralism and audism (prejudice based on the belief that hearing is superior to deafness). For a Deaf person who acquired their second language, Auslan, in adulthood, the show highlights the lack of bilingual upbringing that many Deaf individuals face.
The performance features no interpreting from Auslan to English, creating a direct and immersive experience for Deaf audiences. Each line resonates deeply, emphasizing the power of language to heal or harm. The production employs Auslan poetry, Visual Vernacular (a form of sign language storytelling that incorporates signing and mime), dance, projections, and vibrations from sound design to create a unique musicality that is both seen and felt in the body.
The show ends with a poignant message seeking ongoing advocacy for linguistic equality. Despite the somber tone, Manifesto of Silences leaves a profound impact, emphasizing the communal healing that arises from shared trauma. The performance is scheduled to close on October 12, leaving a lasting impression on all who experienced its powerful message.
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