Is everyone a robot? Will O’Mahony’s new play is a sharp, funny plunge into our AI world
From lights up to the production’s satisfying conclusion, Day (After Day) in the Life of the Useless is seriously funny and surprisingly moving.
Will O’Mahony's new play, Day (After Day) in the Life of the Useless, is a sharp and funny exploration of our AI-driven world. Premiered by Black Swan State Theatre Company, the play follows Pete, played by Daniel J Grant, in a whirlwind of hilariously misguided attempts to rebuild his life after a disastrous breakup. With artificial intelligence guidance, Pete realizes that the best revenge is to "live well."
The play's 35 short chapters, each with its own title, are structured with rapid-fire dialogue and projected onto bright yellow LED signs, reminiscent of traffic warning signs. This digital signage aids the audience in keeping up with the play's frenetic pace and unpredictable story. The ensemble of four actors play every other character, deftly handling quick costume changes and delivering fully-realized performances.
The play raises urgent questions about our relationship with AI and challenges the audience to question the authenticity of relationships and the human experience. O’Mahony's play eschews black and white answers, instead offering a poetic response that embraces ambiguity and the unknown. Director Adam Mitchell's masterful direction and the exceptional ensemble performance elevate Day (After Day) in the Life of the Useless, providing a thought-provoking and enjoyable theatrical experience.
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