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Why this Sentosa Cove house was wrapped in charred black timber

Architect Pan Yi Cheng used shou sugi ban, the Japanese technique of charring timber, to transform an ageing waterfront bungalow into a calmer, more cohesive home.

Why this Sentosa Cove house was wrapped in charred black timber

In Sentosa Cove, a 20-year-old bungalow underwent a transformation by architect Pan Yi Cheng, who employed shou sugi ban, a Japanese technique that involves charring timber to enhance its longevity and resistance to various elements. The original facade featured a mix of materials, including reinforced concrete and deteriorating wood, which the new owner found unappealing.

The renovation involved removing the deteriorating materials and preserving only the structural beams and columns. A new skin of charred Accoya timber panels, supplied by Calvary Carpentry, was added, creating a cohesive and sustainable architectural language. Accoya, a wood engineered for enhanced durability, was chosen for its resistance to moisture and biological decay, addressing homeowners' concerns about using timber in Singapore's climate.

The homeowner, in his early 30s, valued privacy, craftsmanship, and enduring design. He admired the restrained architecture of Japan, noting the quiet confidence in the use of wood and composition of spaces. The renovation aimed to capture a sense of privacy and retreat, inspired by his favorite hotels and the peaceful atmosphere of Sentosa Cove.

The exterior, clad in dark Accoya timber, recedes behind lush palms, while the interior features glass walls that showcase the waterway and daylight playing across dark-stained oak joinery, pale stone floors, and timber ceilings. The layout was adjusted to provide a more seamless flow and accommodate the homeowner's frequent gatherings with family and friends.

Written by urgent.news from Channel News Asia's reporting — not their text. Machine-written — may contain errors; check the original before relying on it.

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