5 new comics to read in August, including a new Archie relaunch at Oni Press

This month's comics preview offers five noteworthy picks that cater to diverse interests and reading preferences. One of these titles is Archie #1, a relaunch from Oni Press, brought to life by writer Ben H. Winters, artist Fábio Moon, and colorist Jason Wordie. The new series aims to revitalise the classic Archie formula through distinct artistic voices, capturing the essence of the iconic town of Riverdale.

Another standout release is Prima Apparata #1, published by Ignition Press. This mecha sci-fi story, written by Olivia Dufault and Rebekah Isaacs with illustrations by Marissa Louise, takes an unconventional approach to the genre by integrating the intense world of ballet. The narrative explores the discipline, competition, and physical demands of ballet training through the lens of young girls piloting dancing mechs, creating a unique and captivating storyline.

Project Perseus #1, released by Vault Comics, transports readers to 1915's frozen landscape of Tierra Del Fuego. The story follows a retired monster hunter who returns to the field for one final mission, blending elements of classic John Carpenter films with an adventurous plot involving ancient sea creatures and wish-granting jinn. This visually striking miniseries is brought to life through the dynamic artistry of Jack Mulqueen, Edison Neo, and K.J. Díaz.

DC Comics is also making waves with the debut of Superman: The Stranger #1, a six-issue miniseries written by Wes Craig and drawn by Jason Wordie. This retro adventure pays homage to the Golden Age of Superman, immersing readers in the art deco design of 1938 Metropolis. Craig's dynamic action and captivating visuals, combined with Wordie's colorist expertise, create an engaging and atmospheric experience that showcases the original Superman in a new light.

Lastly, The Book Of Genocides by Dana Mashoian Walrath provides a thought-provoking and educational exploration of historical genocides. This unique publication invites readers to engage with the material through a cutting and turning flaps mechanism, generating various scenarios of human dehumanization. The combination of collage and illustration serves as a powerful tool to challenge perceptions and encourage reflection on the complex nature of genocide.