The Eggs Scene in ‘You Can See Everything’ Scrambles Reality

The documentary You Can See Everything, a deep dive into the life of disgraced Theranos founder Elizabeth Holmes, directed by Nathan Fielder and Lance Oppenheim, leaves audiences questioning reality. The nearly three-hour film, dense with layers of context, is difficult to describe due to its constantly shifting narrative. Fielder’s unconventional approach to his subjects, coupled with Holmes’s enigmatic personality, makes it hard to discern her true intentions.

In the film, two unreliable narrators are introduced: Holmes and Billy Evans, Holmes’s partner. Their on-screen personas shift from protective to unscrupulous, adding to the film’s puzzling nature. As viewers, we question whether Holmes’s seemingly sympathetic moments are genuine or manipulative gaslighting. The film’s exploration of these relationships raises questions about the extent of Holmes’s influence and control over her own narrative.

One particularly revealing scene involves the preparation of eggs. In this seemingly mundane moment, Fielder highlights the power dynamics at play. As Fielder interviews Holmes, another individual – Evans – effortlessly takes over the task of beating the eggs, seemingly without permission. The camera captures the unsettling transition, suggesting a level of control and disregard for Holmes’s preferences.

Fielder’s keen observation in this segment raises questions about the nature of their relationship and Holmes’s own agency. Could it be an act of weaponized incompetence, where Holmes intentionally performs the task poorly to prompt Evans’s intervention? Or is it evidence of her unique thinking style, a way of problem-solving that deviates from conventional methods?

As the film progresses and Holmes is incarcerated, more unsettling details emerge about Evans’s control over her life. His power of attorney and subsequent posts on her X account suggest a deeper level of manipulation. The eggs scene, once seemingly innocuous, now appears as a subtle clue into the nature of their relationship. By the film’s conclusion, the question of Holmes’s intentions and the extent of Evans’s influence remain unanswered, leaving viewers to grapple with the blurred lines between reality and illusion.