On Bergman’s *Persona*
I first saw Ingmar Bergman’s Persona, his stone-cold classic of 1965, as a teenager, and God knows how many times I have seen it since. It has the greatest opening sequence in cinema: a percussive, rapid-fire montage that can never be wholly accommodated or understood. The film’s story is, however, a simple one (even if […] The post On Bergman’s *Persona* appeared first on Marginal REVOLUTION .
In 1965, Ingmar Bergman released Persona, a classic film that has captivated audiences for decades. As a teenager, the author witnessed the movie and has since viewed it numerous times. The opening sequence stands out as a standout, with a rapid-fire montage that defies comprehension. Despite its simplicity, the film's narrative is deep and complex, resonating with Jungian themes.
The story revolves around Elisabeth Vogler, a renowned actress played by Liv Ullmann, who becomes temporarily speechless during a performance of Electra. Three months later, she remains silent, necessitating the presence of a nurse, Alma, portrayed by Bibi Andersson. Alma's presence is driven by her fear of Elisabeth's silence, which leads her to talk incessantly to and about her patient.
As the film progresses, Elisabeth takes on the role of the audience, while Alma becomes the performer. They navigate their relationship against a stark monochrome backdrop of sand, rock, and water.
Over six decades after its release, Persona remains an inexhaustible and compelling masterpiece. Its intimate portrayal, stark visuals, and compelling narrative continue to engage viewers, making it a timeless classic.
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