Ray Gunn gives Zootopia a run for its money in the weird metaphor department
Brad Bird's latest animated film, Ray Gunn is set in an eye-popping art deco world with flimsy emotional details.
Ray Gunn, the latest offering from director Brad Bird, endeavors to infuse imaginative action with a narrative steeped in confounding plotting and shallow metaphors. The Netflix-produced film boasts a hardboiled detective, Raymond Gunn, portrayed by Sam Rockwell, and a fiery femme fatale opposite him, with an eye-catching CGI backdrop.
The metropolis in which the story unfolds is a visually dazzling spectacle, yet its alien supporting cast serves a limited purpose, often overshadowing the film's intricate design. Despite the movie's dazzling retrofuture aesthetic, the story's metaphors, particularly those touching on xenophobia, feel half-baked and unconvincing.
The portrayal of aliens as an underclass, subject to discrimination and persecution, feels more like a regressive narrative than a progressive commentary. While the film's action sequences are visually stimulating and the soundtrack jazzy, the weak plot leaves much to be desired. It fails to deliver on its promise of a gripping, thought-provoking narrative, ultimately leaving the audience with more questions than answers.
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