Urgent.News

What's breaking now, across thousands of outlets.

Culture

Exclusive: Tigmanshu Dhulia Reveals Why Arshad Warsi, Pratik Gandhi Never Shot Together For Ghamasaan

Tigmanshu Dhulia has always had a way of telling stories where the characters are not simply good or bad. His latest film Ghamasaan is based on true events. It follows Maharaj (Arshad Warsi), a feared dacoit leader, and Aditya (Pratik Gandhi), a Special Task Force officer who is determined to track him down. In conversation with The Free Press Journal, Dhulia opened up about his actors, the…

Exclusive: Tigmanshu Dhulia Reveals Why Arshad Warsi, Pratik Gandhi Never Shot Together For Ghamasaan

In an interview with The Free Press Journal, director Tigmanshu Dhulia revealed a unique approach he took while casting and developing the characters of Maharaj and Aditya in his film Ghamasaan. The film is based on true events, telling the story of a feared dacoit leader and a Special Task Force officer on a mission to apprehend him. Dhulia explained that Arshad Warsi and Pratik Gandhi never shot together during the making of the film, a decision he made to heighten the tension between the two characters.

Dhulia emphasized that rather than depicting direct interactions between Maharaj and Aditya, the tension was created through their individual journeys and actions. By keeping the two leads apart, the film was able to preserve a sense of anticipation, making their conflict more intriguing for the audience. Arshad Warsi's portrayal of Maharaj brought a unique combination of ruthlessness and dignity, while Pratik Gandhi's performance as Aditya showcased a strong sense of purpose and clarity in his character.

This contrast between the two actors allowed Dhulia to focus on their opposing objectives and create a more direct and intense confrontation.

Written by urgent.news from Free Press Journal's reporting — not their text. Machine-written — may contain errors; check the original before relying on it.

Read the original at freepressjournal.in →

More in Culture

More from Thursday 17 September →