Art History and Pop Culture Converge in Frederich Kunath’s ‘The Nearest Faraway Place’
The artist describes that he aims to make his paintings “feel like songs.” Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Art History and Pop Culture Converge in Frederich Kunath’s ‘The Nearest Faraway Place’ appeared first on Colossal .
Frederich Kunath's exhibition "The Nearest Faraway Place," presented by Pace in Seoul, merges art history and pop culture. Kunath's aim is for his paintings to "feel like songs," with a surreal, set-like quality and vibrant, cinematic works. The exhibition features pieces that explore themes of distance, (re)location, and longing between the current and future places.
Kunath draws inspiration from art history, incorporating elements of the Northern Renaissance's "the world landscape" tradition and the Hudson River School's 19th-century European Romanticism. Additionally, he weaves in pop culture references, such as "The End" marking the conclusion of theatrical releases and superimposed phrases on uncanny situations.
One of Kunath's notable works, "Sometimes I'm Almost There" (2026), depicts an existential aerial advertisement. By combining aesthetic contexts and familiar tropes, Kunath materializes his subconscious, allowing feelings to arise before they're fully understood. The exhibition will continue through October 24.
Written by urgent.news from Colossal's reporting — not their text. Machine-written — may contain errors; check the original before relying on it.
