Amora Mautner: na era da AI, quem tem repertório faz a diferença
A diretora de televisão Amora Mautner acredita que, com a ascensão da AI, o valor humano estará cada vez menos na execução – e mais na abstração, na curadoria e na originalidade. “O repertório, junto com a tua unicidade, é algo seu,” Amora disse a Nilton Bonder neste episódio de The Business of Life. Um […] The post Amora Mautner: na era da AI, quem tem repertório faz a diferença appeared first…
Amora Mautner, the renowned Brazilian television director, believes that as artificial intelligence continues to rise, human value will become less important in execution and more in abstraction, curating, and originality. Speaking to Nilton Bonder in a recent episode of The Business of Life, Mautner emphasized the significance of repertory and uniqueness.
Born into a family of music and theater, Mautner grew up in Leblon, defining herself as a "daughter of tropicalism." Before discovering her directorial path, she directed within her home, arranging furniture, crafting settings, and compulsively reading graphic novels. The graphic novel, she explained, is essentially a storyboard; her work is a story with emotion.
Mautner's parents were close friends with key figures in the music scene of that era, including Gil and Caetano. She developed a friendship with Preta Gil, another "daughter of tropicalism," during their shared career in the late 90s, beginning as assistants of art and costume design for the production company Conspiração. This led her to Globo, where she became the artistic director of Quem Ama Cuida, a Sunday 9 PM soap opera on the network.
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