‘Woman Unknown’ Review: Some More Problematic Sex — and Its Consequences — by Denmark’s May el-Toukhy
Against the rubble gray and stiff mahogany with which director May el-Toukhy washes out her post-Second World War Copenhagen, the pops of crimson in “Woman Unknown” announce a stark symbolism that’s about as subtle as the red swastika eventually smeared on the front door of protagonist Marie (Mathilde Arcel). As obvious as these subliminal scarlet […]
We haven't written up this one. Variety has the full story — the link below goes straight to it.
