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A Perfect Album for a Frustrating Decade

Phoebe Bridgers’s new record is heavy with post-pandemic disappointment.

A Perfect Album for a Frustrating Decade

The coronavirus pandemic has brought about a troubling lack of ambition in popular culture. While music, movies, and other forms of media were initially seen as a source of comfort and connection during this time, the sense of unity that existed before the crisis began to dissipate. Musicians had to navigate the complexities of connecting with fans while dealing with their own isolation.

One artist who has experienced the intense impact of the pandemic on her music is Phoebe Bridgers. Her second album, Punisher, released in June 2020, was met with critical acclaim as the work of a promising songwriter. Despite her desire for privacy, Bridgers has garnered a dedicated fanbase that sees her as a confidante. Speaking ahead of the release of her third album, Lost Weekend, Bridgers reflects on the feelings of alienation and disconnection that have persisted since her breakthrough.

Comprised of a talented ensemble of collaborators, Lost Weekend is an ambitious album that showcases Bridgers' signature style, layered with introspective lyrics, haunting melodies, and rich instrumentation. Through songs like "The Outside," "Lost Boys," and "Kill Me," Bridgers grapples with her own disassociation and the disquieting world around her.

However, some tracks feel overly intricate or aimless, suggesting a creative struggle that hinders the album's overall cohesion. As Bridgers continues to evolve as an artist, the success of Lost Weekend will reveal whether she can overcome the challenges of post-pandemic life and deliver the emotional weight and artistic accomplishment expected of a follow-up to such a critically acclaimed debut.

Written by urgent.news from The Atlantic's reporting — not their text. Machine-written — may contain errors; check the original before relying on it.

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