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Are you my friend or just content?

In "Possible Love," you know everything matters. When the camera moves from the front seat of the car to the back, when a hand rests on a table or a face stays on screen a couple of seconds longer than it should, you know it means something because you trust in director Lee Chang-dong and you know he’s trying to tell you something. You just don't know what. Not yet, anyway. Watching the film is…

Are you my friend or just content?

In the film "Possible Love," every detail matters. The director, Lee Chang-dong, carefully moves the camera from the front seat of the car to the back seat, extends a hand on a table, or prolongs a face on screen. These seemingly small choices are significant because the audience trusts Lee to convey a deeper meaning. However, viewers may not know what exactly he is trying to communicate at the moment.

Watching the movie feels like reading a poem where line 27 alters the understanding of line eight, which becomes clearer after line 15. Everything is interconnected, and every element is purposefully placed. If you have seen Lee's previous works such as "Poetry," "Burning," "Peppermint Candy," "Oasis," or "Secret Sunshine," you know that something profound is about to happen, and it will likely be emotionally challenging.

There's a certain allure in surrendering oneself to a skilled director like Lee, who has no intention of making things comfortable for the audience. The experience is demanding but ultimately remarkable. The film follows two couples from vastly different backgrounds. Mi-ok (played by Jeon Do-yeon) and her husband Ho-seok (Sul Kyung) represent one couple from a seemingly ordinary world.

Written by urgent.news from The Korea Times's reporting — not their text. Machine-written — may contain errors; check the original before relying on it.

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