What goes in to making hit Netflix period drama ‘The Empress’? Thousands of candles, wigs and extras

The production of Netflix's hit period drama "The Empress" required thousands of candles, wigs, and extras to bring the story of Empress Elisabeth, better known as Sisi, to life. Billed as $5.77 plus GST every four weeks, the drama quickly transcended its German roots to become a global sensation, topping the Top 10 in over 85 countries after its third and final season launched.

Stars Devrim Lingnau Islamoğlu and Philip Froissant, who portray Empress Elisabeth and Emperor Franz Joseph I, have been recognized for their performances worldwide, from the U.K. to Turkey, and even to Peru. The show delves into the real lives of the last Habsburg empress and emperor, showcasing Empress Elisabeth's struggles with mental health, shyness, and her efforts to find her place in the world.

Showrunner Katharina Eyssen, born in Munich and inspired by Sisi's stories, became emotional upon learning about the impact the show had on viewers from various countries such as Ukraine, Iran, and African nations. Despite filming in Bavarian castles, fans still traveled to recreate Sisi's palaces, only to find out the series was shot elsewhere.

Recreating the world of Sisi and Franz Joseph required a staggering number of costume changes, wigs, and props. Lead actors Lingnau and Froissant had an overwhelming number of costumes and wigs to wear, with Lingnau donning 88 different costumes and Froissant requiring no fake sideburns as his facial hair was used. There were 23 wigs made for the main cast, with four or five specifically for Sisi and her double.

The production details are extensive, with Eyssen admitting that the estimate of thousands of candles used is from the last two seasons alone. Big events like weddings, coronations, and public appearances involved large crowds of background actors, creating a complex and immersive portrayal of the era.