‘Minotaur’ Clip: Russian Director Andrey Zvyagintsev’s International Oscar Hopeful
EXCLUSIVE: Here’s a clip from Russian director Andrey Zvyagintsev’s French-produced political thriller Minotaur. Minotaur premiered at Cannes, where it won the Grand Prix, and has since been selected for Telluride, Toronto, New York, and the BFI London Film Festival. The film taps into the mood in Zvyagintsev’s native Russia in 2022 as businessmen in a […]
In a recent profile by The New Yorker, filmmaker Andrey Zvyagintsev, the exiled Russian director behind the Cannes Grand Prix-winning film “Minotaur,” is depicted as an unsparing observer of contemporary Russia. Yaffa, the author of the article, spoke with Zvyagintsev, his producers, actors, and critics to explore the filmmaker's unique approach to cinema.
Despite not overtly addressing political themes, Zvyagintsev's portrayal of the country has been noted for its depth and realism. His film “Minotaur” is significant as it is the first independent feature film about Russia's full-scale invasion of Ukraine to be made by a Russian director. Critics like Anton Dolin believe Zvyagintsev would likely make a film on any significant issue, even an environmental catastrophe, due to his fearlessness in addressing reality.
Zvyagintsev's dedication to the craft of filmmaking is evident in his meticulous attention to detail, both on and off the set. The New Yorker highlights how Zvyagintsev's background, which included studying acting and working in advertising, contributed to his unique perspective as a director. His relationship with his family and his understanding of human nature are also explored, providing a complete picture of the man behind the camera.
Written by urgent.news from Meduza (English)'s reporting — not their text. Machine-written — may contain errors; check the original before relying on it.
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