Assyria is Far from Ancient in Esther Elia’s Characterizations of Contemporary ‘Diasporic Deities’

Esther Elia, a sculptor and artist of Assyrian and Irish descent, challenges the notion that Assyrian culture is merely an ancient relic. In her solo exhibition, Bazaar Ashuraya, displayed at Hecho a Mano in Santa Fe, Elia delves into the modern Assyrian experience through a variety of mediums – acrylic paintings, tile mosaics, and functional objects. Central to her work is the theme of home, where she explores the ways in which Assyrian culture is maintained and created.

Each piece in her exhibition breathes with a sense of life and continuity. For instance, "Sharrat Wearing Adidas" (2026) juxtaposes the modern popularity of athletic footwear with Assyrian heritage. A similar theme resounds in "Esther and Zahra Wearing Farm Rio" (2026) with its playful nod to folk designs and contemporary fashion.

Elia's work is not confined to two-dimensional canvases. She has constructed massive, nearly life-sized sculptures that move and function. These "diasporic deities" are made from Mexican tiles on cement board, plywood, and even wheels, enabling them to traverse various spaces.

Elia's artistic vision highlights the dynamic nature of Assyrian culture, showing that it is far from an ancient construct, but a living, evolving entity. As she puts it, "The home is where Assyria lives and breathes." Her art is a testament to this living culture, a living embodiment of the Assyrian diaspora.