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Ghana’s colonial ghosts and objects find new life at the Fondation Cartier

For his exhibition 'Le Temps des récoltes' ('Harvest Time'), Ghanaian artist Ibrahim Mahama brings together seven artists and two collectives in contemporary art. Spread across three floors, their work's intricate layering of forms and materials holds up a mirror to the political landscape.

Ghana’s colonial ghosts and objects find new life at the Fondation Cartier

We haven't written up this one. Le Monde English has the full story — the link below goes straight to it.

Read the original at lemonde.fr →

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