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Who is 'Mary' and why is she in so many songs, from classical to rock?

Songs about somebody called Mary feature in third century Christian hymns to the alternative rock of the 1990s and beyond, but who is she and why do so many insist on singing about her?

Who is 'Mary' and why is she in so many songs, from classical to rock?

Mary. The name that resonates in countless songs, spanning the spectrum from classical to rock. It appears to spring from the depths of human emotion, a guttural expression of joy or anger directed at the heavens above. Her name has echoed through the verses of hymns in the third century, romantic poetry in the 1800s, blues and pop in the 1960s, grunge and hip-hop in the '90s, alternative music in the 2000s, mumble-rap in the 2010s, and even in today's autotuned productions.

She has graced the stage in Jimi Hendrix's "The Wind Cries Mary," Supergrass's "Mary," and Sparkadia's emotionally charged song of the same name. Despite the myriad musical styles, Mary has been present in more songs than any other woman.

But who is this Mary, and why do so many artists find inspiration in her name? The answer lies in her historical significance and its resonance in popular culture. Mary was the mother of Jesus Christ, a teacher and prophet who gathered a group of followers in Galilee, challenging the prevailing culture and Roman rule. Among these followers were Mary, his mother, and Mary Magdalene, who stood by Christ until his crucifixion.

As the concept of Christ evolved into a divine figure in the second and third centuries, Mary's veneration increased, leading to an abundance of songs dedicated to her.

The 11th century saw the rise of Marian music, fueled by the Renaissance era and the emergence of large orchestras and counterpoint composition. Mary was the subject of works by Bach, Schubert, and many others, solidifying her place in religious and spiritual focus. However, her prominence also sparked debates about her status within various religious doctrines, with some treating her as almost divine while others maintained a more humble view.

The prevalence of the name Mary in 19th-century England, particularly in men-only supper clubs, contributed to her frequent use in music. Singing about Mary allowed artists to avoid singling out any particular woman, providing a convenient cover for potentially inappropriate lyrics. Additionally, the rhythmic and melodic qualities of the name Mary, with its two syllables and easy-to-sing diphthong, make it an attractive choice for songwriters seeking to create memorable tunes.

From Jimi Hendrix's apology to his girlfriend, Kathy Mary Etchingham, to Supergrass's rebellious anthem and Sparkadia's emotionally charged ballad, Mary continues to captivate musicians across genres. Her name embodies a complex blend of religious symbolism, historical significance, and linguistic appeal, ensuring her enduring presence in the world of music.

Written by urgent.news from ABC News AU's reporting — not their text. Machine-written — may contain errors; check the original before relying on it.

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