Urgent.News

What's breaking now, across thousands of outlets.

Culture

Brad Bird on Why He Took ‘Ray Gunn’ to Skydance Instead of Pixar: Making Animated Films for Teens and Adults ‘Shouldn’t Be a Controversial Decision’

On a balmy April afternoon at Abbey Road Studios in London, a 74-piece orchestra comprised of violinists, cellists, flautists and even an organ-payer, is packed into Studio One. The iconic room, which has hosted musical legends from Edward Elgar to Harry Styles, is painted “Toy Story” blue, a fitting color given the reason everyone is […]

Brad Bird on Why He Took ‘Ray Gunn’ to Skydance Instead of Pixar: Making Animated Films for Teens and Adults ‘Shouldn’t Be a Controversial Decision’

Ray Gunn, a dazzling animated noir, is finally released after decades of development. The project was initially conceived by Brad Bird in the early 1950s, who drew inspiration from the B-52's song "Planet Claire." The story takes place in a future reminiscent of pre-World War II times and features sleek skyscrapers, flying cars, and advanced technology.

Despite its initial development, "Ray Gunn" remained dormant until Bird's re-engagement with the project a few years ago. Now, the animated film has been brought to life through computer animation, with teams in Spain, Canada, and Connecticut contributing to its production.

The film opens in the gleaming city of Metropia, where everything is streamlined and futuristic. As the camera pans across the city, we witness flying cars, elevated trains, and a social hierarchy that reveals a darker side beneath the surface. The story introduces us to the last remaining human private eye, Raymond Gunn, voiced by Sam Rockwell, and his three-legged, one-eyed alien partner, Eyera, voiced by Tom Waits.

Ray and Eyera are hired to protect a pop star named Venus Nova, played by Scarlett Johansson, whose husband is revealed to be involved in a criminal conspiracy. As they navigate the thrilling and labyrinthine plot, the duo faces challenges from thugs with jetpacks, spy drones, and a corrupt corporate mogul. Throughout the film, Bird's distinctive staging and intricate choreography showcase his unique style, with scenes taking place in runaway elevators and through Metropia's skyways.

The film's cinematography, led by cinematographer Erik Smitt, excels in lighting and camerawork, creating a visually stunning experience. One particularly impressive moment involves a subtle camera movement that enhances the film's realism. Despite some criticisms of Bird's elitist approach, "Ray Gunn" proves to be an imaginative, witty, and thematically rich masterpiece that pushes the boundaries of Western animation.

Written by urgent.news from TheWrap's reporting — not their text. Machine-written — may contain errors; check the original before relying on it.

This story

This is one outlet's version. Read the fullest account.

Read the original at variety.com →

More in Culture

More from Saturday 10 October →