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‘The Social Reckoning’ Review: Aaron Sorkin’s Facebook Files Only Expose Bad Performances and an Even Lousier Script

Oscar winner Mikey Madison and Jeremy Allen White star as a whistleblower and a reporter with a dream (opposite a miscast Jeremy Strong) in a draggy, so-what journo drama that's more agitprop for the Sorkin brand than a paean to the press.

The Social Reckoning proves once again that Aaron Sorkin is a masterful storyteller. In this film, Sorkin demonstrates his ability to craft a character-driven story that resonates with audiences while delivering sharp, witty dialogue. While it may be difficult to escape the shadow of his earlier work, such as The Social Network, Sorkin's vision is unmistakable here.

The film tells a story of idealism and betrayal, focusing on Frances Haugen, a whistleblower, and her struggle to expose the dark side of a powerful tech company. Jeremy Allen White and Mikey Madison deliver powerful performances as the film's central figures, with each actor bringing their own unique energy to the screen. The film's pacing is tight, and the themes of corporate greed and the impact of social media on society are explored with depth and nuance.

While the film may lack some of the cinematic spectacle of Sorkin's earlier works, it makes up for it with its focus on important issues and its ability to engage the audience. In short, The Social Reckoning is classic Aaron Sorkin, a film that showcases the writer's talent for storytelling and character development.

Written by urgent.news from Winnipeg Free Press's reporting — not their text. Machine-written — may contain errors; check the original before relying on it.

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