Pedro Pascal Was Surprised Tony Gilroy Made ‘Behemoth!’ “So Intimate And Healing”: “I Thought You Were Gonna Be Mean”
With the world premiere of Behemoth!, Pedro Pascal is praising Tony Gilroy for the intimate drama. During a Q&A after the film’s premiere screening at the New York Film Festival, the Golden Globe-nominated actor admitted he thought Gilroy was “gonna be kinda mean” before they worked together. “You have created this complex Jason Bourne-like puzzle […]
Pedro Pascal has praised Tony Gilroy for creating an intimate and healing drama in their new film, Behemoth!. Before working together, Pascal admitted he thought Gilroy would be "mean" but was surprised by the outcome. The film stars Pascal as Alex Serian, a concert cellist turned film scorer, and follows his struggles with his famous family.
The movie is a romantic mystery that explores Alex's career and upbringing in non-chronological order. According to Variety, Behemoth! is a classical-musician movie and a midlife-crisis movie. The film also stars Olivia Wilde, Eva Victor, Will Arnett, and Alexa Swinton.
Tony Gilroy, known for his work on Jason Bourne and Michael Clayton, said he was inspired by Italian actor Marcello Mastroianni's ability to be a "passenger" in a film without being passive. He achieved this with Pedro Pascal's portrayal of Alex Serian, bringing the character to life in a way that balanced passivity and presence.
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- ‘Behemoth!’ Review: Pedro Pascal Hits All The Right Notes In Tony Gilroy’s Lyrical Love Letter To The Music Of The Movies – New York Film Festival deadline.com
- ‘Behemoth!’ Review: Pedro Pascal Hints at Soulful Depths, but the Drama Keeps Stalling in Tony Gilroy’s Wan Character Study of a Virtuoso Cellist hollywoodreporter.com
- ‘Behemoth!’ Review: Pedro Pascal Is a Classical Cellist Skating Through a Midlife Crisis in Tony Gilroy’s Elevated Bauble of a Music Drama variety.com
- ‘Behemoth!’ Review: Pedro Pascal Plays a Wayward Cellist in Tony Gilroy’s Movingly Atonal Character Study About How People Conduct Themselves indiewire.com