The Peranakan Chinese family keeping wayang kulit in the spotlight

Kang Boon Ann, a Peranakan Chinese from Kelantan, has dedicated his life to preserving the ancient art form of wayang kulit. Growing up, he was captivated by the performances held after harvest season, drawing countless sketches of the puppets. Now 58, Che Ann is a well-known practitioner and founder of the Sri Cindayu Wayang Kulit Association.

With a background as a mechanic and later an independent workshop owner, he learned the craft from two legendary puppeteers, Dollah Baju Merah and Dollah Ramboo. Che Ann began teaching his family in 2005, training his wife, children, and relatives in instrument-playing, puppet manipulation, and performance. Now, almost the entire production can be managed within the family.

Che Ann's daughter, Lily, took up the craft at 14 and is now known as Lily, performing various roles in the troupe. Her younger brother, Aaren, also takes on the role of tok dalang alongside his ensemble work. The family continues to innovate, using digital sound effects and conducting workshops to introduce the art to younger generations.

Che Ann believes that preserving wayang kulit does not mean everyone must become a puppeteer; simply knowing and appreciating the art form is enough to inspire its continued preservation.