The Elevator is a smart commentary on corporate culture and a thrilling piece of theatre

In Prudence Upton's new play The Elevator, at Sydney’s Ensemble theatre, a tale unfolds that delves into the realm of corporate culture and AI. The story revolves around Margot, a CEO of a tech company, played by Leanna Walsman. Just days after giving birth, she finds herself trapped in an AI-operated elevator with two other individuals - Alison, the public relations crisis manager, portrayed by Shirong Wu, and Ollie, the building janitor, played by Di Adams.

The elevator malfunction is only the beginning of their troubles. An AI-driven vehicle designed by Eco Engines, the company Margot leads, crashes into a pedestrian, leaving him in a critical condition. Margot, returning to work after her pregnancy, is tasked with handling the public relations fallout. However, she struggles with her own challenges, such as pumping breast milk and covering up her leaking body, refusing to admit she needs help.

The play offers a commentary on the impact of AI and big tech on our humanity, wrapped in a gripping premise. It also provides a feminist critique of corporate culture, focusing on the intergenerational and intersectional experiences of women who balance caregiving responsibilities with their jobs. The set and lighting, designed by Kelsey Lee, create an elegant and futuristic atmosphere that enhances the confined setting of the action.

Director Anthea Williams skillfully brings out the emotional arcs of each character, with particularly satisfying performances from Walsman and Wu. The play raises questions about being ethical in an unethical system and invites the audience to reconsider their values and the concept of success. The final twist serves as justification for the heavy-handedness in the storyline. The Elevator, a thought-provoking and thrilling piece of theatre, is currently running at Ensemble, Sydney, until October 18.