‘Hope’ Review: Who Are the Baddies?
A high-octane Korean thriller probes what we watch and what it does to us.
We haven't written up this one. NYT Arts has the full story — the link below goes straight to it.
More in Culture
‘Drawn Together’ Review: Forbidden Love
This bland riff on “The Bodyguard” is a mostly rote automation of its steamy feelings and ideas
Beck Goes Back to Basics on “Ride Lonesome”
On his pristine new album, “Ride Lonesome,” rock’s chameleon revisits his most pensive, stately sound.
An Artist Inspired by Men Behaving Badly
In a new show at David Kordanky Gallery, the Iranian American painter Tala Madani plumbs the lives of her characters with absurd humor and a strange tenderness.
‘Why Did I Get Married Again?’ Review: An Italian Escape
The third entry in Tyler Perry’s relationship series sticks to his basics, but with an intergenerational twist at a destination wedding.
‘Black Zombie’ Review: Reclaiming Horror’s Haitian Roots
In her compelling documentary, “Black Zombie,” the director Maya Annik Bedward explores the dark history of an undead genre.
‘Call My Agent! The Movie’ Review: A Billet-Doux to Cinema
The gang gets back together in this genial comedy that picks up five years after the events of the show’s final season.