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Naa Shika Adu presents Vernacular of Play: An art exhibition inspired by sport, identity and social impact

Former women’s professional tennis player and internationally certified tennis coach Naa Shika Adu is set to launch Vernacular of Play on 11 September 2026, a compelling multidisciplinary art exhibition exploring the connections between movement, language and cultural expression in sport and everyday life.

Naa Shika Adu presents Vernacular of Play: An art exhibition inspired by sport, identity and social impact

Naa Shika Adu, a former professional tennis player and certified coach, is set to unveil Vernacular of Play, an art exhibition that delves into the connections between movement, language, and cultural expression in sport and daily life. Supported by the Edward Osei Boakye Trust, this multidisciplinary showcase brings together tennis and visual art to explore play, identity, and culture.

Rather than presenting tennis as a mere competitive game, the exhibition reframes it as a potent symbol for social critique. At its heart, Vernacular of Play underscores how movement exceeds verbal communication and functions as a reflective mirror of society, embodying its rhythms, disparities, desires, and collective moments of joy. Central to this theme is the concept of "vernacular," which the exhibition reinterprets from its colonial past to symbolize cultural identity, memory, and expression.

Drawing from her experiences as an athlete and youth advocate, Naa Shika has crafted an immersive environment where art and sport merge. Curated by Whitney Chinonye Ernest, the exhibition features a collection of works that underscore themes of resilience, ambition, discipline, and community, while also honoring the universal value of play.

Naa Shika notes, "the body speaks long before words are formed. In Vernacular of Play, every movement, a serve, sprint, pause, or stillness becomes a sentence in a larger story, expressing emotions, struggles, and triumphs that transcend language."

In challenging the notion of sport as neutral, the exhibition presents tennis through African perspectives and lived experiences. It weaves together performance, visual art, sound, archival storytelling, and embodied movement to delve into the profound social meanings woven into the choreography of play and how history resides within the body, even in competitive arenas.

Beyond its artistic mission, the exhibition carries a broader social mission by supporting the Africa Sports Alliance (ASA) Foundation, a cause championed by Naa Shika. This foundation uses sport to empower young people across Africa through mentorship, structured programs, and access to opportunities, fostering talent, creating employment avenues, and equipping the youth with vital life skills.

Vernacular of Play thus functions as both a cultural and social engagement space, gathering artists, athletes, educators, corporate partners, and the general public in support of youth development. Its influence resides in its capacity to unite sport, art, and social consciousness in an inclusive, participatory, and culturally resonant manner.

By showcasing African youth's representation in contemporary narratives and sparking discussions on topics like sport accessibility, representation, postcolonial identity, and cultural preservation, the exhibition invites viewers to move from passive observation to active participation. It reflects on how movement, language, and play shape societies' understanding of the past, responses to the present, and visions for the future, embodying Naa Shika Adu's dedication to driving real change beyond the tennis court.

Written by urgent.news from MyJoyOnline Ghana's reporting — not their text. Machine-written — may contain errors; check the original before relying on it.

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