The St Paul’s Cathedral Fabric outrage is a ridiculous moral panic
St Paul’s Cathedral has announced a four-year collaboration with Fabric nightclub that will see DJs being brought into the capital’s most lauded pews, designed by Sir Christopher Wren. The four-year project has provoked outrage among groups including traditionalist Christians and historic preservation societies. Descendants of Lord Nelson called it “an insult” to his memory, “deeply [...]
St Paul's Cathedral has announced a four-year partnership with Fabric nightclub, a move that has sparked outrage among various groups, including traditionalist Christians and historic preservation societies. Descendants of Lord Nelson called the collaboration an "insult," while Queen Elizabeth II's former chaplain said it was a "betrayal" of Christian values.
However, many argue that this isn't a new development for St Paul's. Its domed ceiling was designed by Sir Christopher Wren with resonant qualities, making it suitable for both classical and electronic music. The backlash against the collaboration highlights the stigma and snobbery surrounding electronic music and club culture. DJs are composers, just like any other musician, making dance music just as valid as classical music.
Club culture is often unfairly branded as a pursuit of hedonists, but those who attend raves or club nights describe the atmosphere as inclusive and friendly. St Paul's events have a seated arrangement, which is more organized and respectful of the building's history than standing and dancing. The backlash against the events further stigmatizes club culture, which contributes significantly to the UK economy.
Despite this, St Paul's is known for being progressive, having adapted to modern audiences by allowing girls in its choir and recently introducing a seated DJ show.
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