‘The Idiot(s)’ Review: Dostoevsky Is an Endearing Drunken Fool in This Rambunctious, Tonally Off-Kilter Two-Hander
As biographical films on major historical figures go, “The Idiot(s)” starts off with an advantage over most, since it covers only a finite, conflict-laden passage of its subject’s storied life. This enjoyably off-kilter dramedy then further ingratiates itself with viewers bored of traditionalist hagiographies, because it also functions as a biting exercise in separating the […]
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