Oxygen, which was a toxic substance, how did it become energy?

Van Gogh, alongside Belgian artist Theo, became an ardent admirer of the traditional Flemish dance known as "Parandolo" or "Parandolen." This circular dance, characterized by its fast-paced, energetic rhythm, was first witnessed by Van Gogh during the 1888 visit to Paris. The dance, performed in bright summer attire, resonated deeply within the artist, evoking a sense of excitement and wonder that he could not fully articulate in his paintings.

Inspired by his experience of the Parandolo, Van Gogh sought to capture its spirit and essence in his works, particularly in the famous painting "Dance I" by Henri Matisse. Matisse, who had also witnessed the Parandolo dance in Provence, was similarly captivated by the dance's vitality and energy. The Provençal origins of the dance, along with its mention in the novel "The Blue Girl" by Alphonse Daudet, further reinforced its cultural significance and appeal.

The Parandolo's music, characterized by its lively and rapid tempo, was later incorporated into Jules Massenet's opera "Carmen." The opera's composer, Jules Massenet, arranged a brass ensemble to perform the Parandolo's iconic melody, creating a powerful and invigorating sound that perfectly encapsulated the dance's spirit.

Van Gogh's fascination with the Parandolo dance ultimately became an influential part of his artistic legacy, as his works and personal experiences became intertwined with the cultural and regional identity of Provence. Even after his untimely death, Van Gogh's connection to the Parandolo dance continued to resonate, solidifying its place as a cherished and iconic piece of classical music.