Why the ‘Beef’ DP Went for a Romantic Visual Language in Season 2

James Laxton, the cinematographer behind "Beef" Season 2, embraced a romantic visual language for the second installment of the critically acclaimed Netflix series. This stylistic shift was in contrast to the personal feud focus of Season 1, which was shot by Larkin Seiple. Laxton's painterly camerawork, previously seen in Barry Jenkins' "Moonlight" and "The Underground Railroad," brought him Oscar and Emmy nominations for his work.

For Season 2, Laxton aimed to create a unique visual language that resonated with audiences and complemented the show's themes of love and connection. The centerpiece of the series' finale, an action-packed sequence involving a life-or-death brawl at a skin clinic, showcased Laxton's distinct visual approach. The scene, captured in a single, over 60-second take, was inspired by the "Oldboy" sequence from Marvel's "Thor: Love and Thunder," but adapted to fit the show's non-action heroes.

Laxton emphasized that the cinematography was not just about flashy visuals, but also about effectively communicating the intricate web of conflicts and character development throughout the season. He viewed the finale as a release valve for the season's conflicts, allowing the characters to confront their demons in unconventional ways. For Laxton, the most rewarding aspect of the sequence was the synergy between the action and the story-driven beats, creating a truly memorable and special moment in the series.