Why do movies look like that now?
Cinematographers, colorists, and camera ops explain how shifting technologies and business expectations are making movies look like that.
In today's modern cinema, films appear to exhibit a uniform, soft appearance, devoid of the sharpness and definition that characterized films from previous decades. This shift in visual aesthetics is primarily attributed to the distribution channels and consumption habits of contemporary audiences. Streaming platforms like Netflix, for instance, have popularized a certain "Netflix look" characterized by a lack of texture and tactility, leading to widespread complaints about the washed-out cinematography in recent films.
The low-contrast, utilitarian approach adopted by filmmakers aims to mimic the illumination found in everyday life, with lamps, overhead fluorescents, and weather conditions replacing hard key lights and stylistic fills. This shift in lighting techniques has resulted in a departure from the rich textures and definition that were once hallmarks of traditional filmmaking.
The advent of digital technology has played a significant role in this evolution, with sensors approximating the photochemical process that occurs during film exposure and development. While digital filmmaking offers advantages such as flexibility and convenience, it fundamentally alters the materiality and aesthetic qualities of cinematic visuals.
The inherent textural characteristics of film—its grain, shimmering crystals, and dynamic range—have been replaced by the sleek, uniform appearance characteristic of digital cinematography. This shift has been further exacerbated by the increasing prevalence of high dynamic range (HDR) displays in home viewing environments, which demand a higher level of contrast and detail in order to accurately reproduce the intended visual experience.
Consequently, filmmakers are compelled to adapt their techniques to accommodate the evolving expectations of modern audiences, resulting in a visual style that prioritizes accessibility and uniformity over the nuanced textures and depth characteristic of traditional film aesthetics.
Written by urgent.news from The A.V. Club's reporting — not their text. Machine-written — may contain errors; check the original before relying on it.