‘Nimrods’ Review: American Idiots
A band of misfit teens aspires to make their musical dreams come true in this Green Day-produced rock comedy.
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‘The Rivals of Amziah King’ Review: The Banjos and the Bees
Matthew McConaughey is put to his best use in years in this somewhat messy, but often rollicking film about a beekeeper and the foster child who reappears in his life.
‘American Doctor’ Review: Going to Gaza to Help, in Any Way They Can
This documentary by Poh Si Teng focuses on a planned medical trip to Khan Younis, in the southern Gaza Strip, by physicians from the United States.
L’Rain Asks if ‘Experimental’ Music Can Be Far-Reaching
Her latest LP, “Fata Morgana,” explores whether limits to her genre-spanning work are real or perceived.
Rory Scovel’s New Netflix Special Reviewed: Winging It Never Sounded So Funny
In “Show Must Go On,” the appearance of unpredictability combined with the possibility of catastrophe is riveting.
‘Dead Souls’ Review: A Mean Satire About American Exploitation
The “Repo Man” director Alex Cox returns with an unabashedly weird western, where he plays a mysterious stranger in an Arizona border town, circa 1890.
America Wants to Make Its Own Humanoid Robots. That Won’t Be Easy.
China already manufactures humanoid robots by the thousands. A new generation of U.S. start-ups is betting that there is still time to compete.