‘Fast’ Review: She’s Got Good Traction
Rob Tregenza’s latest film follows a young woman in Virginia who wants to be a professional racecar driver.
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In Wyoming, a Primary Fight Between the Right and the Far Right
One of the most conservative states has a legislature divided between a hard-right House and a merely right Senate. Ultraconservatives want a complete takeover in the Aug. 18 primaries.
A Print Maestro With a Birdwatcher’s Eye and a Socialist Soul
At the Whitney, Mabel Dwight’s caricatures from the 1930s, some gentle and some acidic, show her mastery of lithography and the democratic gesture.
‘Don’t Say Good Luck’ Review: A Bittersweet Big Break
Sunny Sandler and Melanie Lynskey capture hope and heartache in this melodrama about a daughter’s open door and a mother’s awful diagnosis.
L’Rain Asks if ‘Experimental’ Music Can Be Far-Reaching
Her latest LP, “Fata Morgana,” explores whether limits to her genre-spanning work are real or perceived.
‘American Doctor’ Review: Going to Gaza to Help, in Any Way They Can
This documentary by Poh Si Teng focuses on a planned medical trip to Khan Younis, in the southern Gaza Strip, by physicians from the United States.
‘The Rivals of Amziah King’ Review: The Banjos and the Bees
Matthew McConaughey is put to his best use in years in this somewhat messy, but often rollicking film about a beekeeper and the foster child who reappears in his life.