Fra Angelico’s earliest surviving altarpiece returns to Fiesole after restoration reveals hidden throne

Fra Angelico's earliest surviving altarpiece, the Fiesole Altarpiece, has made its return to Fiesole after a meticulous restoration process. Created in 1420-1423 for the convent he joined, the work was recently exhibited in Florence and now graces its original setting at the Museo di San Marco. The restoration project, funded by Friends of Florence, unveiled Fra Angelico's intricate color work, hidden details, and the subtle interplay between his original composition and the additions by Renaissance painter Lorenzo di Credi in the 16th century.

Originally designed as a late Gothic triptych, the altarpiece was later transformed into a single image by di Credi in 1501, incorporating a delicate canopy and landscape background. The conservation team, led by Daniele Rossi, removed old varnishes and overpainting to reveal the original vibrant colors, gold, and refined finishes of Fra Angelico's work. Particular attention was given to di Credi's depiction of the sky, which was restored to its original luminous blue.

The restoration also addressed the altarpiece's wooden support, which had become unstable due to previous restorations. The team replaced the wooden inserts, created a modern chestnut support system with springs, and filled cracks with fresh stucco and watercolor restoration techniques. Diagnostic tests, including infrared reflectography, uncovered Fra Angelico's original design for a marble throne surrounded by Gothic arches and pot-bellied vases, as well as the subtle additions made by di Credi.

This restoration project sheds new light on the young Fra Angelico, revealing his artistic growth during this formative period. The Fiesole Altarpiece's return to its original home at the Museo di San Marco highlights Fra Angelico's significant contribution to the Italian Renaissance alongside other prominent artists.