{
  "id": 9682995,
  "title": "How The Paradise objectified Kayadu Lohar in a film about fighting for dignity",
  "url": "https://urgent.news/2026/09/25/how-the-paradise-objectified-kayadu-lohar-in-a-film-about-fighting",
  "topic": "culture",
  "section": "Culture",
  "published": "2026-09-25T02:35:23.000Z",
  "source": {
    "name": "The Indian Express",
    "slug": "the-indian-express",
    "url": "https://indianexpress.com/article/entertainment/opinion-entertainment/how-the-paradise-objectified-kayadu-lohar-in-a-film-about-fighting-for-dignity-10892453/"
  },
  "original_language": "en",
  "account": "The film The Paradise, which tells the story of a tribe fighting for their right to exist and be recognized as citizens, contains a problematic portrayal of its heroine, Subbalakshmi, portrayed by Kayadu Lohar. The film shows Subbalakshmi as a young woman from a poor family who creates suggestive videos and sells them to survive. However, the film does not delve into the reasons behind her actions or provide her with agency or moments of resistance. Instead, it focuses on her appearance and uses her as visual eye candy, which serves the male lead's protective feelings. The film also reduces Subbalakshmi's mother to a punchline, treating her daughter's exploitation as just a job description. This portrayal of Subbalakshmi is emblematic of how women are often treated in Telugu cinema - as objects of gaze rather than complex characters with stories of their own. The film's moral argument about dignity and recognition for a marginalized community is undermined by its lack of depth in portraying Subbalakshmi's character. The contradiction between the film's stated intentions and its handling of its female protagonist is a glaring one. It is not the filmmakers' choice to use Kayadu Lohar that is the problem, but rather the lack of consideration for the implications of that choice in the context of the film's overall message.",
  "summary": null,
  "key_points": [
    "The Paradise film objectifies Subbalakshmi, played by Kayadu Lohar.",
    "Subbalakshmi portrayed as young woman creating suggestive videos.",
    "Film reduces Subbalakshmi's mother to a punchline, trivializing her daughter's exploitation."
  ],
  "editors_take": "The film's portrayal of its heroine undermines its message about dignity and recognition for a marginalized community, exemplifying a broader tendency in Telugu cinema to objectify women.",
  "illustration": null,
  "coverage": {
    "outlets": 1,
    "also_reported_by": []
  },
  "ai_generated": true,
  "disclaimer": "Summaries, key points and the editor’s take are written by software from other outlets’ reporting and may contain errors — always check the linked original."
}