{
  "id": 942973,
  "title": "From Gadar To Swades: Why Hindi cinema has two entirely different ways of loving India",
  "url": "https://urgent.news/2026/08/15/from-gadar-to-swades-why-hindi-cinema-has-two-entirely-different-ways",
  "topic": "world",
  "section": "World",
  "published": "2026-08-15T03:28:26.000Z",
  "source": {
    "name": "The Indian Express",
    "slug": "the-indian-express",
    "url": "https://indianexpress.com/article/entertainment/opinion-entertainment/independence-day-2026-gadar-to-swades-hindi-cinema-two-entirely-different-ways-loving-india-10832175/"
  },
  "original_language": "en",
  "account": "Hindi cinema has long grappled with how to depict patriotism on screen, resulting in two distinct approaches. The first, exemplified by Gadar (2001), is a loud, theatrically exciting form of patriotism that leaves audiences cheering in the moment. The second, seen in films like Swades (2004), takes a more subdued, reflective approach, asking viewers to contemplate their own responsibilities towards their country. Both perspectives are valid, but they yield different emotional responses.\n\nSwades' portrayal of patriotism focuses on duty rather than grand declarations. The protagonist, Mohan Bhargava, returns to his village to help fix a handpump, a seemingly small act that illustrates his commitment to his community. The film never asks him to make a grand speech or display overt patriotism, instead showing him embracing his role as a caretaker without fanfare. This quiet approach invites viewers to contemplate their own contributions to their homeland.\n\nOther films, such as Newton (2017) and Lagaan (2001), also avoid the louder forms of patriotism. Newton examines the struggle for democracy in a Naxal-affected forest, while Lagaan focuses on a village's unity against caste and religious divisions. These films demonstrate that patriotism can be about service, responsibility, and finding common ground amidst adversity, rather than simply celebrating victories or national triumphs.\n\nCritics argue that while the quieter, reflective films offer a more nuanced perspective on patriotism, they are not necessarily superior. Films like Gadar and Uri have resonated with audiences because they deliver the thrills and emotions associated with patriotic cinema. However, even these more action-oriented films may not always offer deep insights into the complexities of loving one's country.\n\nUltimately, the choice between these two approaches to patriotism on screen is a matter of taste. Some may find the loud, exciting depictions exhilarating, while others may prefer the thoughtful, contemplative approach. Regardless, both forms of patriotism in Hindi cinema provide valuable perspectives on what it means to be a responsible citizen and contribute to the nation's progress.",
  "summary": null,
  "key_points": [
    "Swades portrays patriotism through duty, like Mohan Bhargava repairing a handpump",
    "Films like Newton and Lagaan avoid grand patriotism, focusing on service and unity"
  ],
  "editors_take": "The dichotomy in Hindi cinema's portrayal of patriotism, oscillating between loud, theatrical expressions and subdued, reflective approaches, reveals a nuanced understanding of national love and responsibility.",
  "illustration": null,
  "coverage": {
    "outlets": 1,
    "also_reported_by": []
  },
  "ai_generated": true,
  "disclaimer": "Summaries, key points and the editor’s take are written by software from other outlets’ reporting and may contain errors — always check the linked original."
}