{
  "id": 6875172,
  "title": "‘The Face of Horror’ Review: Anna Biller Brings Her Brand of Technicolor Feminism to a Tale of Chivalry (or Lack Thereof)",
  "url": "https://urgent.news/2026/09/12/the-face-of-horror-review-anna-biller-brings-her-brand-of-technicolor",
  "topic": "culture",
  "section": "Culture",
  "published": "2026-09-12T06:00:00.000Z",
  "source": {
    "name": "IndieWire",
    "slug": "indiewire",
    "url": "https://www.indiewire.com/criticism/movies/the-face-of-horror-review-anna-biller-1235216164/"
  },
  "original_language": "en",
  "account": null,
  "summary": "TIFF: The medieval setting proves a perfect match for Biller's sensibilities, as she crafts a sophomore feature as visually striking and blunt in its messaging as \"The Love Witch.\"",
  "key_points": [],
  "editors_take": null,
  "illustration": null,
  "coverage": {
    "outlets": 1,
    "also_reported_by": []
  },
  "ai_generated": true,
  "disclaimer": "Summaries, key points and the editor’s take are written by software from other outlets’ reporting and may contain errors — always check the linked original."
}