{
  "id": 18061974,
  "title": "#SHOWBIZ: Ghafir Akbar's 'Eurydice' brings heartbreak and magic to JCPAC stage",
  "url": "https://urgent.news/2026/11/04/showbiz-ghafir-akbars-eurydice-brings-heartbreak-and-magic-to-jcpac",
  "topic": "culture",
  "section": "Culture",
  "published": "2026-11-04T03:50:46.000Z",
  "source": {
    "name": "New Straits Times",
    "slug": "new-straits-times",
    "url": "https://www.nst.com.my/lifestyle/groove/2026/11/1570419/showbiz-ghafir-akbars-eurydice-brings-heartbreak-and-magic-jcpac"
  },
  "original_language": "en",
  "account": "Eurydice, a retelling of the famous Greek mythological tale by Sarah Ruhl, brings heartbreak and magic to the Jeffrey Cheah Performing Arts Centre (JPAC) stage. This production, directed by Ghafir Akbar, shifts the focus from Orpheus to Eurydice, the woman who dies and is retrieved by her lover from the underworld. The result is a play that explores love, memory, and the process of forgetting.\n\nThe set and lighting designs, as well as the sound design and music, were impressive. However, it was the latter that truly stood out, with compositions by Irena Taib and Putrina Rafie creating an atmospheric and impactful mood throughout the performance. The raw vulnerability of Vinna Law's portrayal of Eurydice made her death deeply personal and relatable for the audience. Her innocence and vulnerability contrasted well with Tinesh Janaki Raman's earnest and devoted performance as Orpheus.\n\nTerence Swampillai's heartbreaking portrayal of Eurydice's father added another layer of emotion to the production. The chemistry between Law and Raman was charming and believable, making their youthful romance a highlight of the play. The comedic relief provided by Anne James, Jo Kukathas, Sukania Venugopal, Gavin Yap, and Terence Swampillai added delightful wit and levity to the overall experience.\n\nEurydice's greatest strength lies in its balance between comedy and tragedy, which naturally flows due to the production's understanding that humour and grief can coexist. Ultimately, the play is less concerned with Orpheus's quest to bring Eurydice back to life and more focused on the pain of losing someone. In the end, this production reminds us of the importance of holding onto the people we love, even after they are gone, making it a memorable and human story at its core.",
  "summary": "THERE is something deceptively familiar about ‘Eurydice’.",
  "key_points": [],
  "editors_take": null,
  "illustration": null,
  "coverage": {
    "outlets": 1,
    "also_reported_by": []
  },
  "ai_generated": true,
  "disclaimer": "Summaries, key points and the editor’s take are written by software from other outlets’ reporting and may contain errors — always check the linked original."
}