{
  "id": 18011952,
  "title": "The New Yorker profiles Andrey Zvyagintsev, the exiled Russian director of the Cannes Grand Prix-winning film ‘Minotaur’",
  "url": "https://urgent.news/2026/11/03/the-new-yorker-profiles-andrey-zvyagintsev-the-exiled-russian",
  "topic": "culture",
  "section": "Culture",
  "published": "2026-11-03T19:13:56.000Z",
  "source": {
    "name": "Meduza (English)",
    "slug": "meduza-english",
    "url": "https://meduza.io/en/feature/2026/11/03/the-new-yorker-profiles-andrey-zvyagintsev-the-exiled-russian-director-of-the-cannes-grand-prix-winning-film-minotaur"
  },
  "original_language": "en",
  "account": "In a recent profile by The New Yorker, filmmaker Andrey Zvyagintsev, the exiled Russian director behind the Cannes Grand Prix-winning film “Minotaur,” is depicted as an unsparing observer of contemporary Russia. Yaffa, the author of the article, spoke with Zvyagintsev, his producers, actors, and critics to explore the filmmaker's unique approach to cinema. Despite not overtly addressing political themes, Zvyagintsev's portrayal of the country has been noted for its depth and realism. His film “Minotaur” is significant as it is the first independent feature film about Russia's full-scale invasion of Ukraine to be made by a Russian director. Critics like Anton Dolin believe Zvyagintsev would likely make a film on any significant issue, even an environmental catastrophe, due to his fearlessness in addressing reality. Zvyagintsev's dedication to the craft of filmmaking is evident in his meticulous attention to detail, both on and off the set. The New Yorker highlights how Zvyagintsev's background, which included studying acting and working in advertising, contributed to his unique perspective as a director. His relationship with his family and his understanding of human nature are also explored, providing a complete picture of the man behind the camera.",
  "summary": "The New Yorker has published a profile of the filmmaker Andrey Zvyagintsev by Joshua Yaffa, an American journalist who has written about Russia since the mid-2000s and is the author of “Between Two Fires: Truth, Ambition, and Compromise in Putin’s Russia.” Yaffa spoke with Zvyagintsev, as well as with his producers, his actors, and the film critics who study his work. Meduza summarizes Yaffa’s…",
  "key_points": [],
  "editors_take": null,
  "illustration": null,
  "coverage": {
    "outlets": 1,
    "also_reported_by": []
  },
  "ai_generated": true,
  "disclaimer": "Summaries, key points and the editor’s take are written by software from other outlets’ reporting and may contain errors — always check the linked original."
}