{
  "id": 16731451,
  "title": "The Gospel According to Paul Pfeiffer",
  "url": "https://urgent.news/2026/10/27/the-gospel-according-to-paul-pfeiffer",
  "topic": "culture",
  "section": "Culture",
  "published": "2026-10-27T10:00:00.000Z",
  "source": {
    "name": "Hyperallergic",
    "slug": "hyperallergic",
    "url": "https://hyperallergic.com/the-gospel-according-to-paul-pfeiffer/"
  },
  "original_language": "en",
  "account": "Justin Bieber is not a saint, but in the artistic vision of Paul Pfeiffer, he transforms into a figure akin to Christ on the cross. Pfeiffer, a sculptor, photographer, and video artist, delves into the realms of soft power and mass culture through his woodcarved portraits of Bieber. The artist elaborates, \"Emotion itself becomes the architecture of soft power.\"\n\nIn a parallel narrative, Nathan Fielder, the comedian and director, is scrutinized in a new documentary by Associate Editor Rebecca Schiffman. Schiffman questions whether Fielder is a true documentarian or a performance artist evoking the role. Her piece juxtaposes Fielder's direct yet deadpan demeanor with that of Elizabeth Holmes, the convicted fraudster, as portrayed by Fielder in the documentary \"You Can See Everything.\" Schiffman draws a connection to Marina Abramović's \"The Artist is Present\" (2010), pondering the blurred lines between documentary and performance art.",
  "summary": "The sculptor and video artist talks mass culture, and Nathan Fielder as performance artist?",
  "key_points": [],
  "editors_take": null,
  "illustration": null,
  "coverage": {
    "outlets": 1,
    "also_reported_by": []
  },
  "ai_generated": true,
  "disclaimer": "Summaries, key points and the editor’s take are written by software from other outlets’ reporting and may contain errors — always check the linked original."
}