{
  "id": 15139401,
  "title": "You Can See Everything",
  "url": "https://urgent.news/2026/10/17/you-can-see-everything",
  "topic": "world",
  "section": "World",
  "published": "2026-10-17T06:49:01.000Z",
  "source": {
    "name": "StrictlyVC",
    "slug": "strictlyvc",
    "url": "https://elink22c.strictlyvc.com/ss/c/u001.dcUtNT9M06sDMhLsmBmtzWMHc-7y1M7c1wW-zz5F-inPQIqjswkBYUwUhlvCUKoC34wAjmtduRm43EKLuo6ZWp5Bz-3CRkiwbi43Raq2pIPj92xVlrUXvUZEmTDPMeDTVsC84OsEKCtTwkpm0bMNidK09r69zMsw2TSgUta5xDSWHp8lI7by-4R5biUQ-OsJga1XR8OQYT0t1BIezOlwa5HF3nhj_A-D3LMylJa9GbW9Cj-pNcUSBatcx8Yt2MEgc1lKeEUqlJuD8rq9xM3JEAHJr7Dkh_wbfbr8IjwMznPwI5LThHXncLPVcwsTvYwwM3JG6AJNWhl4noGfVXb_h8TrwB-kppAPme6TgwMSx6w/4uy/_Ft7A7XXTc-Lj2wh43868w/h31/h001.ZG59Put9QwmzKQaFLQMiYePH32JenK1P9YVKO-2q16E"
  },
  "original_language": "en",
  "account": "Comedian and filmmaker Nathan Fielder meets Elizabeth Holmes, the disgraced CEO of Theranos, as she prepares to begin her 11-year prison sentence. One month prior to her arrest, Holmes and her husband reached out to Fielder and director Lance Oppenheim in a desperate attempt to clear her name publicly. Fielder, known for his satirical comedy, agreed to the absurd assignment of documenting Holmes' final days of freedom. Holmes, however, remains firm in her belief that she did nothing wrong, even as she listens to testimonies from investors, whistleblowers, and patients affected by her company's fraudulent practices. The documentary, \"You Can See Everything,\" explores the blurred lines between reality and performance in the lives of Holmes and those around her, including her husband Billy Evans and actress Amanda Seyfried, who plays a version of Elizabeth in the accompanying miniseries \"The Dropout.\"",
  "summary": null,
  "key_points": [
    "Nathan Fielder documents Elizabeth Holmes' final days before prison.",
    "Holmes maintains innocence despite fraudulent Theranos practices.",
    "Miniseries \"The Dropout\" portrays Holmes' story alongside Amanda Seyfried."
  ],
  "editors_take": "Blending satirical filmmaking with a disgraced CEO's attempt at public redemption highlights the increasingly porous boundary between staged performance and the harsh reality of criminal accountability.",
  "illustration": null,
  "coverage": {
    "outlets": 1,
    "also_reported_by": []
  },
  "ai_generated": true,
  "disclaimer": "Summaries, key points and the editor’s take are written by software from other outlets’ reporting and may contain errors — always check the linked original."
}