{
  "id": 1030183,
  "title": "‘Nowhere to Lay My Eyes’ Review: Kim Minhee Once More Gives a Melancholy Masterclass in a Hong Sangsoo Miniature",
  "url": "https://urgent.news/2026/08/15/nowhere-to-lay-my-eyes-review-kim-minhee-once-more-gives-a-melancholy",
  "topic": "culture",
  "section": "Culture",
  "published": "2026-08-15T11:49:32.000Z",
  "source": {
    "name": "Variety",
    "slug": "variety",
    "url": "https://variety.com/2026/film/reviews/nowhere-to-lay-my-eyes-review-1236835338/"
  },
  "original_language": "en",
  "account": null,
  "summary": "The death-and-taxes certainty of Hong Sangsoo’s filmography — comparable to Woody Allen’s prime career run in its regularity, consistency and recurrence of ideas and actors across a gently varying tonal spectrum — has lately been infused with some mild unpredictability. Earlier this year, his Berlinale premiere “The Day She Returns” continued an occasional experimental jag […]",
  "key_points": [],
  "editors_take": null,
  "illustration": null,
  "coverage": {
    "outlets": 1,
    "also_reported_by": []
  },
  "ai_generated": true,
  "disclaimer": "Summaries, key points and the editor’s take are written by software from other outlets’ reporting and may contain errors — always check the linked original."
}